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A Thunderstorm
Date
2024
Symphony orchestra
5 minutes
2024
This symphonic poem is based on the work of the same name by Emily Dickinson. Expanding on a one-minute piano piece previously composed, I elaborated following the poem's narrative elements. The poem follows the physical manifestation of a growing thunderstorm complete with monster-like descriptions. I was inspired by this idea of a monster, and the act of battling a growing fear that looms large and seemingly unvanquishable. There comes a moment when all hope seems lost, this monster seems invincible and the problem will consume all, then suddenly the clouds lift, all is well, and a sense of peace and serenity materializes.
The piece opens with small fragments across the orchestra, nothing quite tangible, slowly developing into thematic material; representing a disembodied problem becoming a monster to be fought. Fighting begins as music is moved between instrument families and momentum is increased. The apex of the piece comes at the height of this energy when all forces are being used, and the monster theme is expressed in its fullest state. Finally, after a big orchestral tutti, there is a complete shift in mood to illustrate this moment of calm. Strings are scattered like the beginning, and percussion sets an inactive tone to close the work.